Scott chats with master cutting engineer, Tony Dawsey.
This week I’d like you to hear from one of my master cutting engineers, Tony Dawsey. Tony, like myself, started mastering before there was digital recording of any kind. Well, we’re not that old. But at that time, everything we did was focused on producing the highest quality vinyl records imaginable.
I sat down with Tony and asked him a few questions about vinyl, and about his experience as a cutting engineer. Here’s a couple of short excerpts; I hope you’ll enjoy listening to the full interview below.
What lessons from the early days still stick with you today?
Good isn’t good enough when it comes to perfecting your craft. That’s equalizing somebody’s project or cutting it. A lot of things can go wrong in cutting and you want to make sure none of that happens. You don’t want to cut a 25 minute side with a worn stylus. That’s not cool.
What was your path to cutting your first record?
Well the shipping room was right next to Bill Kipper’s studio, so in between my responsibilities early on, I’d drift in there with him and just watch him. He did a lot of classical music as well as other things. He ended up showing me how to cut vinyl.