Tony Dawsey on Bass
Q: People come to you for your bass.
A: Yeah, I’m a bass head. It’s the first thing I deal with. Do I want to enhance it? Do I need to take something off? Because it’s got to sound good. As tight and punchy as possible. It’s totally key to get the bass right. You need that clarity down there.
Q: Has that always been your approach?
A: Yeah, I’d say so. I was working on a lot of different kinds of stuff in the late 80s and 90s. Indie rock, hard rock, all kinds of stuff. Now a lot of people come to me and say “I want that bass that you get in that record” and they name a particular hip-hop record I mastered. Back then they would say, “I don’t want it to sound disco.” OK, I say. But really, it’s in the mix. I enhance what you’ve already done. That’s the role of mastering. I always say, it’s the icing on the cake.
Q: Any tips for mixers when it comes to getting the bass right?
A: Make sure your speakers aren’t lying to you or your mix isn’t going to be right. Your monitors should be as flat as possible, and you should be very familiar with the way they sound. Also, make sure your listening environment is treated. You can’t just put sheetrock up and expect to be able to hear what’s in your mix.
Q: What about people that mix mainly with headphones?
A: Hm, well…
Q: It sounds like you don’t recommend that.
A: Sure you can do it. People work in all different kinds of ways. But if you mix a lot with headphones, make sure they’re GOOD headphones — and you’ll still need good speakers and and a treated monitoring environment to check your mixes.
That’s it for this time — we’ll have further interviews with Tony in the coming weeks on a variety of mastering and music subjects. Stay tuned…