Congratulations to the Grammy Nominees!

The nominees for the 53rd Grammy Awards were announced last night in Los Angeles, and we’re thrilled to see our clients up for honors!

Jay-Z’s album The Blueprint 3, which was mastered by Tony Dawsey, is up for Best Rap Album, and two of its songs have been singled out for honors too. “Empire State of Mind” is up for Record of the Year, Best Rap/Sung Collaboration, and Best Rap Song. Another album track, “On to the Next One,” is up for Best Rap Performance By A Duo Or Group and Best Rap Song. We did a brief podcast about Tony’s work on The Blueprint 3 back in June, you can listen to that here.

Laurie Anderson’s track “Flow,” from her album Homeland (mastered by Scott Hull) was nominated for Best Pop Instrumental Performance. Competing with Ms. Anderson for that award is “Orchestral Intro” from Gorillaz’ Plastic Beach album, mastered by Howie Weinberg. Can they both win, please?

Finally, Darcy James Argue’s Secret Society is up for the Best Large Jazz Ensemble Album award for Infernal Machines, (mastered by Randy Merrill) which was released on the non-profit-model record label New Amsterdam. We’re thrilled about all of the nominations, but this one is especially satisfying because New Amsterdam is a relatively small operation and it’s great to see independent work recognized. And because it’s a darn good record! We took an in-depth look at the making of “Infernal Machines” back in April. Check it out here.


Read the full list of Grammy Award nominees: http://www.grammy.com/nominees

Randy Merrill & Masterdisk in the New York Times

New York Times
The New York Times

Randy Merrill was quoted in an article that ran on Sunday, May 9 in the New York Times by Joseph Plambeck called “In Mobile Age, Sound Quality Steps Back”. Here’s the paragraph that quotes Randy:

“Randy Merrill, an engineer at Masterdisk, a New York City company that creates master recordings, said that to achieve an overall louder sound, engineers raise the softer volumes toward peak levels. On a quality stereo system, Mr. Merrill said, the reduced volume range can leave a track sounding distorted. “Modern recording has gone overboard on the volume,” he said.”

Read the full article here: In Mobile Age, Sound Quality Steps Back.